Media and Storytelling

3D models of historical collection objects

By Nadja Tata in Mediasphere

13.02.2023

What do a malachite, the nest of a weaverbird, an albino jackdaw and a Hercules beetle have in common? All of them belong to our dataset of 3D models of historical collection objects, published for the first time on the museum’s data portal under a free license in September 2022.

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Data portal as creative engine

By Tina Schneider in Media and Storytelling

27.01.2023

A constantly growing selection of digital collection objects of the Museum für Naturkunde is freely accessible to all interested parties in the data portal. What creative or experimental possibilities arise from this offer and what might example projects look like? Together with nine international Master’s students from the ifs Internationale Filmschule Köln, we explored this question. For the first time the data portal became part of a curriculum at a higher education institution.

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Open licenses for collection digitization

A guest contribution By Team Collection Discovery and Development in Media and Storytelling

04.01.2023

For years, the Museum für Naturkunde has advocated for the recognition and implementation of Open Science. Now, a copyright policy has been published that clarifies and provides legal certainty on licensing issues for digitized collection materials.

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Collection discovery simply explained

A guest contribution By Martin Wimmer & Max Kaplan in Media and Storytelling

30.11.2022

What do you have in your collection? Why do you want to digitize it? How exactly do you do that? What’s in it for us? Probably every museum knows these questions. With this healthy curiosity, visitors and users of exhibitions and collections make museum employees ponder. How can you answer such complex questions quickly? Quite simply: with short explanatory films.

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Tangible digitization – Part 2

By Tina Schneider in Media and Storytelling

18.08.2022

On the trail of the accessible tactile experience, the Mediasphere For Nature team continues with the development of an upscaled tactile model of a dor beetle. This article shows current project developments and provides an outlook on the final project stage. 

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Tangible digitization

By Tina Schneider in Media and Storytelling

12.05.2022

A current Mediasphere For Nature research project not only examines the topic “accessibility”, but also provides an innovative example of how to re-use our in-house collection objects. The focus is on a small inhabitant of our native wildlife: the dor beetle.

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Snail Sounds from Patterns

By Christel Clerc & Nadja Tata in Media and Storytelling

10.12.2021

In the project MuShell – Music of the Shell, students from the TU Berlin make the diversity of patterns in nature audible. Inspired by the visual association between cylinder music boxes and conical snails, they transform the patterns of snail shells from the mollusk collection into musical scores. In doing so, they open up a new sonic approach to the collection and create 3D models for creative reuse.

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Your Ocean Sound – Portrait: Artur Sommerfeld

By Christel Clerc in Media and Storytelling

22.06.2021

In spring of this year, we organized the hackathon „Your Ocean Sound“ . 130 audio files with biotic and abiotic ocean sounds inspired the participants to create almost 30 compositions. In this last post of our series, we introduce you to participant Artur Sommerfeld.

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Your Ocean Sound – Portraits: Cathal Kerins und Alexandra Tamayo

By Christel Clerc in Media and Storytelling

16.06.2021

In spring of this year, we organized the hackathon „Your Ocean Sound“ . 130 audio files with biotic and abiotic ocean sounds inspired the participants to create almost 30 compositions. In this post, we introduce you to participants Cathal Kerins and Alexandra Tamayo.

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Your Ocean Sound - Portrait: Francisca Rocha Gonçalves

By Christel Clerc in Media and Storytelling

10.06.2021

In spring of this year, we organized the hackathon „Your Ocean Sound“ . 130 audio files with biotic and abiotic ocean sounds inspired the participants to create almost 30 compositions. In this post, we introduce you to participant Francisca Rocha Gonçalves.

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